2026Convocatoria ordinaria · Serie 5 · Ejercicio 1Part 1: Listening comprehension, an interview with the artist Yayoi Kusama
3 puntosCoincide con la pautaTemas: Comprensión oralEnunciado oficial
A CONVERSATION WITH YAYOI KUSAMA ON THE POWER OF ART AND EMOTIONS
In this radio programme you are going to hear some new words. Read and listen to them. Make sure you know what they mean.
art installations: instal·lacions artístiques, creacions artístiques / instalaciones artísticas, creaciones artísticas
polka dots: estampat de rodones / estampado de lunares
boundless: sense límits / sin límites
tapestry: tapís / tapiz
Ready?
Now read the questions on the following page. Read them carefully before listening to the radio programme.
[Now listen to the interview.]
QUESTIONS
Choose the best answer according to the recording. Only ONE answer is correct.
[3 points: 0.375 points for each correct answer. Wrong answers will be penalized by deducting 0.125 points. There is no penalty for unanswered questions.]
1.1 How does Yayoi Kusama see the relationship between her work and the emotions it expresses?
[0.375 points]
1.2 Yayoi Kusama created her “Infinity Rooms” to invite people to think about
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1.3 In her autobiography, Yayoi Kusama mentions suffering from mental health problems. How has art affected her?
[0.375 points]
1.4 According to the interviewer, why does Yayoi Kusama paint dots abundantly?
[0.375 points]
1.5 What other type of message does Kusama’s use of polka dots convey?
[0.375 points]
1.6 Why does Yayoi Kusama believe her art can surpass cultural gaps?
[0.375 points]
1.7 According to Yayoi Kusama, why did she choose to leave Japan?
[0.375 points]
1.8 How does Yayoi Kusama see the power of art in facing global challenges?
[0.375 points]
Audio oficial
Audio oficial de la comprensión oral: Generalitat de Catalunya, Eureka, biblioteca digital (registro 994). Licencia CC BY-NC-SA 4.0. Registro en Eureka
Elige tu opción y abre la respuesta para compararla.
1.10,375 puntos
- a) The essence of her art is driven by a love for immense chaos and mystery.
- b) Her installations aim to change viewers’ perspective on love.
- c) The essence of her art lies in creating a collective supportive feeling.
- d) Her work is meant to reflect the limits of love and hope.
- a) Descartada
No se dice en la entrevista: nunca habla de amar el caos ni el misterio; para ella el amor y la esperanza son «the essence of my art».
- b) Descartada
No se dice en la entrevista: no habla de cambiar la perspectiva del público sobre el amor, sino de que sienta «a sense of boundless love and hope».
- c) Correcta
Kusama dice que el amor y la esperanza son la esencia de su arte y que quiere que quien visite sus instalaciones comparta algo: «I aim to cultivate a shared experience that unites people in a profound, positive way». Es la tercera opción.
- d) Descartada
Dice lo contrario: sus instalaciones reflejan «the limitless nature of love and hope», es decir, su carácter sin límites.
1.20,375 puntos
- a) the problem of mental illness.
- b) the possibility of space travel.
- c) our place in the universe.
- d) mirrors and tapestries.
- a) Descartada
No se dice en la entrevista que las salas inviten a pensar en la enfermedad mental; al final de esa respuesta Kusama dice que crear este arte alivia su enfermedad, pero la invitación al visitante es a pensar en su lugar en el cosmos.
- b) Descartada
No se dice en la entrevista: el entrevistador habla de «realms beyond this world», pero la invitación que ella formula es a reflexionar sobre el lugar de cada uno, no a viajar al espacio.
- c) Correcta
Kusama describe las salas como un viaje simbólico «inviting individuals to reflect on their own place within the cosmic tapestry»; es decir, invitan a pensar en nuestro lugar en el universo. Es la tercera opción.
- d) Descartada
No es el tema: «tapestry» solo aparece en la metáfora «cosmic tapestry», y «mirrors» como verbo en «a symbolic journey that mirrors the limitless nature of love and hope».
1.30,375 puntos
- a) Art has increased her sense of despair and hopelessness.
- b) Art has given her tools to reverse her suffering and despair.
- c) Art has intensified her need to overcome her mental health problems.
- d) Creating art has cancelled her positive emotions.
- a) Descartada
Dice lo contrario: «the only method I have found that relieves my illness is to keep creating this type of art».
- b) Correcta
Kusama dice que el arte fue su refugio y que le permitió pasar del dolor a algo mejor: «It allowed me to transform pain into beauty, despair into hope». Es la segunda opción.
- c) Descartada
No se dice en la entrevista: no habla de que el arte aumente su necesidad de superar sus problemas.
- d) Descartada
Dice lo contrario: para ella «sharing these positive emotions is the power of art».
1.40,375 puntos
- a) To portray the universe.
- b) As a form of artistic rebellion.
- c) To represent distress.
- d) To create a sense of abundance.
- a) Descartada
Es lo que dice Kusama más tarde, al hablar del mensaje positivo («we are all dots in this vast universe»), no lo que dice el entrevistador al preguntar por qué los pinta en abundancia.
- b) Descartada
No se dice en la entrevista: nadie habla de rebeldía artística.
- c) Correcta
La pregunta se refiere a lo que dice el entrevistador, no Kusama. Él interpreta los puntos como «a visual manifestation of anxiety» y como «psychic obsession that you attempt to run away from»: representan angustia. Es la tercera opción.
- d) Descartada
No se dice en la entrevista: el entrevistador relaciona los puntos con la ansiedad, no con una sensación de abundancia.
1.50,375 puntos
- a) The dots represent how the elements of outer space are interconnected
- b) They serve as a visual metaphor for the chaotic nature of the universe.
- c) Polka dots symbolize how individuals are connected.
- d) The repetition of dots represents individuals’ everyday fighting.
- a) Descartada
No es así: los puntos no son elementos del espacio, sino personas («we are all dots in this vast universe»).
- b) Descartada
Dice lo contrario: el patrón refleja unidad y crea «a sense of harmony and love».
- c) Correcta
Kusama explica el mensaje positivo de los puntos: «Polka dots are a symbol of the world, the cosmos, and our interconnectedness». Los puntos son las personas: «we are all dots in this vast universe». Es la tercera opción.
- d) Descartada
No es lo que dice: la repetición de los puntos «signifies the multiplicity of individuals», no una lucha diaria.
1.60,375 puntos
- a) Because people from all walks of life visit her installations.
- b) Because her art speaks a language that can be understood by all art experts.
- c) Because her art connects people at the core of their essence as human beings.
- d) Because polka dots are bound to a specific cultural audience.
- a) Descartada
El motivo no es que acuda gente diversa, sino que esa gente conecta en lo esencial, porque el arte habla al corazón de todos.
- b) Descartada
No se dice en la entrevista: habla de un lenguaje que «speaks directly to the heart», no de uno que entiendan los expertos en arte.
- c) Correcta
Kusama dice que el arte es «a universal language that speaks directly to the heart», que sus instalaciones son un espacio donde «people from all walks of life can connect on a fundamental level» y que el amor y la esperanza, «being universal emotions, provide a common ground for individuals to come together». Es la tercera opción.
- d) Descartada
Dice lo contrario: «Love and hope, being universal emotions» sirven a todos, no a un público cultural concreto.
1.70,375 puntos
- a) Kusama was aware of her artistic identity in Japan and chose to leave to develop it further.
- b) The Japanese artists did not support her because of her mental health issues.
- c) The Japanese government’s restrictions on kimonos made her move.
- d) Kusama had connections in New York that could allow her to succeed as an artist there.
- a) Descartada
Dice lo contrario sobre su identidad como artista japonesa: «I wasn't really aware of it».
- b) Correcta
Kusama explica por qué se fue: «In Japan, the art community isolated me because of my mental health struggles. That's why I chose to leave Japan and pursue my art in New York». Es la segunda opción.
- c) Descartada
Las restricciones del gobierno japonés son una dificultad que menciona, no el motivo por el que decidió irse: «I faced challenges due to restrictions on foreign exchange imposed by the Japanese government».
- d) Descartada
Sus contactos explican por qué eligió Estados Unidos («I picked America because of my connections and the belief that the future of art was in New York»), no por qué dejó Japón: eso lo explica el aislamiento.
1.80,375 puntos
- a) Art has the power of eliminating global uncertainty.
- b) Art inspires people to work together for the common good.
- c) Art helps people see global challenges as an inevitable part of their future.
- d) Art gets people to look into the past and learn from it.
- a) Descartada
No dice que el arte elimine la incertidumbre: «In times of uncertainty, art becomes a ray of light».
- b) Correcta
Kusama dice que, ante los retos globales, el arte «has the power to inspire, uplift, and unite communities» y que «art catalyzes change, encouraging collective action». Es la segunda opción.
- c) Descartada
No se dice en la entrevista: habla de «a shared vision of a better future», no de retos inevitables.
- d) Descartada
No se dice en la entrevista: Kusama mira hacia el futuro («a brighter tomorrow»), no hacia el pasado.
Transcripción oficial del audio
Interviewer: In the realm of contemporary art, few figures are as iconic and enigmatic as Yayoi Kusama. Renowned for her avant-garde art installations, polka dots, and infinite reflections, Kusama has captivated the world with her unique artistic vision. Today, we have the privilege of delving into the mind of this visionary artist, exploring her thoughts on the transformative power of art. Good morning, thanks for being with us today.
Yayoi Kusama: Good morning, thanks for the invitation.
Interviewer: Your art is often described as a celebration of love and hope. How do you envision the relationship between your work and these powerful emotions?
Yayoi Kusama: Love and hope are the essence of my art. They are the driving forces behind my creations. When people encounter my installations, I want them to feel a sense of boundless love and hope, transcending the boundaries of time and space. Through my work, I aim to cultivate a shared experience that unites people in a profound, positive way.
Interviewer: That was deep indeed! Your "Infinity Rooms" are immersive experiences that transport viewers into realms beyond this world. How do these installations contribute to the exploration of love and hope?
Yayoi Kusama: The "Infinity Rooms" are like cosmic vessels, offering a glimpse into the countless possibilities of love and hope. As visitors step into these spaces, surrounded by endless reflections, they are immersed in a universe of boundless potential. It's a symbolic journey that mirrors the limitless nature of love and hope, inviting individuals to reflect on their own place within the cosmic tapestry. I believe sharing these positive emotions is the power of art. I fight anxiety and fear every day, and the only method I have found that relieves my illness is to keep creating this type of art.
Interviewer: Actually, in your autobiography, you mention struggling with mental health issues. How has art been a source of healing and hope for you?
Yayoi Kusama: Art has been my refuge, a sanctuary where I can channel my innermost feelings. In the darkest moments of my mental health struggles, creating art became a lifeline. It allowed me to transform pain into beauty, despair into hope. Art has been a cathartic journey, helping me to navigate the complexities of my emotions.
Interviewer: In any case, your use of polka dots is a signature element in your art. I perceive these motifs as a representation of hallucinatory visions. Similar to how episodes of depersonalization invoke fear, these dots create a visual manifestation of anxiety. The dots multiply and attach themselves to the surroundings, becoming a form of psychic obsession that you attempt to run away from.
Yayoi Kusama: Yes, I paint them abundantly; it's my way of trying to escape.
Interviewer: But can you also tell us about the significance of polka dots in conveying positive messages?
Yayoi Kusama: Polka dots are a symbol of the world, the cosmos, and our interconnectedness. When I cover surfaces with dots, I'm expressing the idea that we are all dots in this vast universe. The repetition of dots signifies the multiplicity of individuals, yet the pattern also reflects unity. It's a visual metaphor for the collective energy that binds us together, creating a sense of harmony and love.
Interviewer: Oh wow. Now, your installations are experienced by people from diverse backgrounds. How do you believe your art can bridge cultural gaps and speak a universal language of love and hope?
Yayoi Kusama: Art transcends cultural barriers, you know, it's a universal language that speaks directly to the heart. My installations are intentionally designed to be inclusive, offering a space where people from all walks of life can connect on a fundamental level. Love and hope, being universal emotions, provide a common ground for individuals to come together, fostering a sense of unity that surpasses cultural differences.
Interviewer: Can you tell us about your time in Japan before going to the US? You moved to New York at twenty-seven. By then, you must have already developed your unique style as a painter, rooted in Japan. Yet you didn’t emphasize your identity as a Japanese artist.
Yayoi Kusama: I wasn't really aware of it. In Japan, the art community isolated me because of my mental health struggles. That's why I chose to leave Japan and pursue my art in New York. I picked America because of my connections and the belief that the future of art was in New York. However, I faced challenges due to restrictions on foreign exchange imposed by the Japanese government. I even had to sell my kimonos.
Interviewer: How do you see the role of art evolving in society, especially in fostering a sense of hope and unity in the face of global challenges?
Yayoi Kusama: In times of uncertainty, art becomes a ray of light. It has the power to inspire, uplift, and unite communities. As we confront global challenges, art catalyzes change, encouraging collective action and fostering a shared vision of a better future. It's a testament to the enduring capacity of art to instill hope and bring people together in the pursuit of a brighter tomorrow.
Interviewer: This interview has come to a close, leaving us with a profound understanding of how this visionary artist continues to shape the landscape of contemporary art with her timeless messages of love and hope.
Adapted from:
Yayoi Kusama on Sixties New York, Surviving Mental Illness and Why She's Never Thought About Feminism, Artspace, Akira Tatehata (May 5, 2020).
https://www.artspace.com/magazine/interviews_features/meet_the_artist/interview-yayoi-kusama-on-sixties-new-york-living-with-mental-illness-and-why-shes-never-thought-56560
Yayoi Kusama on love, hope and the power of art, Wallpaper, Megan C. Hills (March 22, 2023).
https://www.wallpaper.com/art/yayoi-kusama-interview
Enunciado: Generalitat de Catalunya, Consell Interuniversitari de Catalunya, Oficina d’Accés a la Universitat. PAU de Inglés 2026, convocatoria ordinaria. La imagen es el examen oficial tal cual y el texto lo reproduce; las explicaciones y las respuestas modelo son de EducaIA. Consultado el 7 de noviembre de 2026; el documento no declara fecha de última actualización.
Examen (PDF)Pauta de corrección (PDF)Reutilizado según el aviso legal de la Generalitat