2022Convocatoria extraordinaria · Serie 3 · Ejercicio 1Part 1: Listening comprehension, an interview about poetry slam
3 puntosCoincide con la pautaTemas: Comprensión oralEnunciado oficial
3, 2, 1... SLAM!: POETRY COMES TO THE STAGE
In this radio programme you are going to hear some new words. Read and listen to them. Make sure you know what they mean.
scribble: gargotejar / garabatear
thumb through: fullejar / hojear
be hooked on: estar enganxat / estar enganchado
open mic: micròfon obert / micrófono abierto
Ready?
Now read the questions on the following page. Read them carefully before listening to the radio programme.
[Now listen to the interview.]
QUESTIONS
Choose the best answer according to the recording. Only ONE answer is correct.
[3 points: 0.375 points for each correct answer. Wrong answers will be penalized by deducting 0.125 points. There is no penalty for unanswered questions.]
1.1 How does Anne write her poems?
[0.375 points]
1.2 How did Anne learn about poetry slam?
[0.375 points]
1.3 According to Anne, the best thing about slam is
[0.375 points]
1.4 Anne’s poems
[0.375 points]
1.5 How long does it take Anne to write a poem?
[0.375 points]
1.6 How does Anne prepare for a performance?
[0.375 points]
1.7 Why is the audience important in a slam competition?
[0.375 points]
1.8 Which of the following statements is NOT true about Anne?
[0.375 points]
Audio oficial
Audio oficial de la comprensión oral: Generalitat de Catalunya, Eureka, biblioteca digital (registro 333). Licencia CC BY-NC-SA 4.0. Registro en Eureka
Elige tu opción y abre la respuesta para compararla.
1.10,375 puntos
- a) She always uses her laptop because her handwriting is messy.
- b) She prefers to write out her poems by hand.
- c) She first records them on her phone and then writes them down.
- d) She needs to write with dirty hands to find inspiration.
- a) Descartada
Dice lo contrario: «I don’t type that often».
- b) Correcta
Anne cuenta: «I’ve got my notebook with me all the time» y «I always scribble things down, although I don’t type that often». Escribe a mano, en su cuaderno.
- c) Descartada
No se dice en la entrevista.
- d) Descartada
Las manchas son de páginas antiguas, «stained with dirty hands and the remains of more than a few grilled cheese sandwiches»; no las menciona como condición para inspirarse.
1.20,375 puntos
- a) She went to a slam competition with a friend in 2018.
- b) She read an ad about a competition.
- c) She heard about it in an open mic session.
- d) She read an interview with a slammer in a magazine.
- a) Descartada
Anne sitúa su primera competición en 2018, pero no dice que fuera con ningún amigo.
- b) Correcta
Anne dice: «I first saw a live slam competition in 2018. I’d never heard of this kind of event, but I saw it was advertised in a magazine». Se enteró por un anuncio.
- c) Descartada
Los open mic aparecen más tarde, como consejo para otros: «Try open mic nights first».
- d) Descartada
Lo que vio en la revista fue un anuncio, «advertised in a magazine», no una entrevista.
1.30,375 puntos
- a) that poets know how to make you laugh and cry.
- b) the fact that it can be streamed online and played on any device.
- c) the strong link between the poet and the live audience.
- d) that poems are performed instead of written and read aloud.
- a) Descartada
Hacer reír o llorar es un ejemplo de lo que da el directo, «there’s a certain live element to that», no lo que Anne destaca como mejor.
- b) Descartada
Dice lo contrario: «I’ve got videos online and you can see me perform from any device, but it’s different when it’s live».
- c) Correcta
Anne responde: «I think what I liked about it was that emphasis on connection», y añade que quien ha escrito el poema «is in front of you, saying it». Lo que más valora es el vínculo entre poeta y público.
- d) Descartada
No se dice en la entrevista; Anne valora la conexión con el público, no que el poema se recite en vez de leerse.
1.40,375 puntos
- a) are based on strict mathematical patterns.
- b) search phrasing and rhyme by following patterns.
- c) usually take about five minutes to recite.
- d) intend to be messy and playful, as opposed to mathematical formulae.
- a) Descartada
Dice lo contrario: «It’s not as rigid as a formula that I have to follow».
- b) Correcta
Anne explica que cuando escribe, «searching for a particular way of phrasing something or a rhyme, there is definitely a technicality to it», y que ha adoptado «the idea of patterns and playfulness that I learnt through maths».
- c) Descartada
Dice lo contrario: el límite es «a maximum of three minutes».
- d) Descartada
No los opone a las matemáticas: lo juguetón le viene de ellas, pues habla de «patterns and playfulness that I learnt through maths».
1.50,375 puntos
- a) A minimum of three months.
- b) Usually three minutes.
- c) Sometimes just a couple of weeks.
- d) Much longer than before.
- a) Descartada
Dice lo contrario: cuando escribía por afición tardaba «a couple of months, maybe», y ahora desde «a couple of weeks».
- b) Descartada
Tres minutos es el límite de la actuación: «we typically have a maximum of three minutes».
- c) Correcta
Anne dice que ahora tarda «anything from a couple of weeks to much longer». Por eso, a veces, solo un par de semanas.
- d) Descartada
Sí compara con antes, pero al revés de lo que dice la opción: cuando escribía por afición tardaba «a couple of months, maybe», y ahora puede bastarle con «a couple of weeks».
1.60,375 puntos
- a) She recites poems aloud to become familiar with their rhythm.
- b) She reads the poem lots of times to learn all rhymes.
- c) She sings poems out loud in front of the mirror.
- d) She studies poems line by line as if they were jokes.
- a) Correcta
Anne dice: «As part of my writing process, I’ll speak poems out loud to feel their rhythm». Es decir, recita en voz alta para familiarizarse con el ritmo.
- b) Descartada
No se dice en la entrevista que lea el poema muchas veces para aprender las rimas.
- c) Descartada
No se dice en la entrevista que cante ni que se ponga ante el espejo.
- d) Descartada
Los chistes aparecen solo como ejemplo de su buena memoria: «remembering the lyrics to songs or specific jokes that I heard».
1.70,375 puntos
- a) Because they can decide which poems are performed.
- b) Because they can help slammers score higher.
- c) Because the panel asks for the audience’s opinion.
- d) Because some members of the audience may be part of the panel.
- a) Descartada
Quien elige el poema es el que actúa: «read the room to choose the poem you’re going to perform».
- b) Descartada
El consejo de Anne para puntuar más depende de quien actúa, que debe «read the room»; no dice que el público ayude a nadie a puntuar.
- c) Descartada
No se dice en la entrevista que el jurado pida opinión al público; el jurado sale del propio público.
- d) Correcta
Anne dice: «Usually, the panel is selected randomly from the audience in the room». Parte del público forma el jurado.
1.80,375 puntos
- a) She started writing when she was younger.
- b) She does not like maths anymore.
- c) She is good at memorising text.
- d) She finds inspiration in other slammers.
- a) Descartada
Es verdadera: habla de «my messy little-kid handwriting», o sea, de páginas escritas de pequeña.
- b) Correcta
Es la frase falsa: Anne dice que «I’ve really embraced the idea of patterns and playfulness that I learnt through maths». Las matemáticas le han servido para escribir, y no dice que ya no le gusten.
- c) Descartada
Es verdadera: «I was always good at remembering the lyrics to songs».
- d) Descartada
Es verdadera: recomienda ver a otros slammers porque «they are a true source of inspiration».
Transcripción oficial del audio
Interviewer: Welcome to our weekly programme on literature. Today we’re going to discuss a relatively recent development in literature, a poetry slam. A poetry slam is a competition arts event in which poets perform before a live audience and a panel of judges. Slams have become increasingly popular all around the world, with events welcoming a large number of attendees. My guest Anne is here with us today to tell us about her experience as a slammer. Hi, Anne! Could you tell us about yourself? Would you define yourself as a poet?
Anne: What a nice question! I had never been asked that! The truth is that I have always loved writing. I’ve got my notebook with me all the time —whether it’s by the side of my bed or on trains, I always scribble things down, although I don’t type that often. In fact, there’s a suitcase full of poems beneath my bed. I don’t remember how most of them got there. Sometimes I’ll thumb through them and see my messy little-kid handwriting. There may be over a hundred pages stained with dirty hands and the remains of more than a few grilled cheese sandwiches.
Interviewer: When did performance jump in? Why did you start taking part in poetry slam competitions?
Anne: I first saw a live slam competition in 2018. I’d never heard of this kind of event, but I saw it was advertised in a magazine. After attending a few sessions, I got completely hooked on it and decided to give it a try from stage. I think what I liked about it was that emphasis on connection. Whether it’s a performer making you laugh or making you cry, there’s a certain live element to that. You know, I’ve got videos online and you can see me perform from any device, but it’s different when it’s live. In a live context you can immediately get what the performer’s trying to say and there’s an added level of accessibility, because the person who’s written the poem is in front of you, saying it, and it gives it so much more context.
Interviewer: You have a degree in Maths, if I’m not wrong. Has that helped you with your poetry?
Anne: Yeah! For ages I told myself that the two were just separate worlds, but then I realised that when I’m writing my poems or searching for a particular way of phrasing something or a rhyme, there is definitely a technicality to it. It’s not as rigid as a formula that I have to follow, but I think I’ve really embraced the idea of patterns and playfulness that I learnt through maths. I try to bring that to my poetry.
Interviewer: Tell us about slam poems. What are they like and how do you prepare for them?
Anne: There is a time limit in poem performances –we typically have a maximum of three minutes. I used to just write my poems as a hobby in my free time, so from start to finish it would be a couple of months, maybe, waiting for inspiration to come. Now I think that I do it full time, I’m a bit more disciplined with that, so it’s anything from a couple of weeks to much longer. It’ll often start with a playful bit of language, whether that’s a rhyme or a one-liner, and then it just comes out.
Interviewer: And you need to memorise the whole poem for live performances?
Anne: Yes, but that’s something I’ve always done. I was always good at remembering the lyrics to songs or specific jokes that I heard. As part of my writing process, I’ll speak poems out loud to feel their rhythm. The first time I perform, I’ll still have it in my book in front of me just in case, but I think once I’ve learnt a poem, I enjoy the performance aspect of it and I find that easier if I can do it without worrying about what the next line’s going to be.
Interviewer: And then in the event a panel of three to five judges gives each slammer a score, is that right? What is your secret to score high?
Anne: Yes, that’s right. Usually, the panel is selected randomly from the audience in the room. A good idea to score higher is to read the room to choose the poem you’re going to perform, because it’s a live thing, you know, so it’s dependent on who’s in the room. It’s also helpful to have enough poems so that you can pick and choose among them.
Interviewer: Are there any tips you’d like to give people who perhaps want to get into spoken word poetry?
Anne: Don’t get too nervous if you decide to try. The audience at these events is usually very supportive. Sometimes it can be difficult to feel confident, but it’s really worth it. Try open mic nights first if you think that could be helpful before getting into a competition. Watch videos online of some of the best slammers worldwide to prepare yourself, like Harry Baker’s, Dani Orviz’s, or Emi Mahmoud’s –they are a true source of inspiration!
Interviewer: Wow! I’m looking forward to watching those videos myself! Thank you, Anne, for your time and for letting us know about poetry slam. We hope to see you on stage very soon!
Anne: My pleasure.
Adapted from ‘An interview with our favourite World Poetry Slam Champion: Harry Baker’, The Temple Times, 13th March 2020.
Enunciado: Generalitat de Catalunya, Consell Interuniversitari de Catalunya, Oficina d’Accés a la Universitat. PAU de Inglés 2022, convocatoria extraordinaria. La imagen es el examen oficial tal cual y el texto lo reproduce; las explicaciones y las respuestas modelo son de EducaIA. Consultado el 7 de noviembre de 2026; el documento no declara fecha de última actualización.
Examen (PDF)Pauta de corrección (PDF)Reutilizado según el aviso legal de la Generalitat