2022Convocatòria extraordinària · Sèrie 3 · Exercici 1Part 1: Listening comprehension, an interview about poetry slam
3 puntsCoincideix amb la pautaTemes: Comprensió oralEnunciat oficial
3, 2, 1... SLAM!: POETRY COMES TO THE STAGE
In this radio programme you are going to hear some new words. Read and listen to them. Make sure you know what they mean.
scribble: gargotejar / garabatear
thumb through: fullejar / hojear
be hooked on: estar enganxat / estar enganchado
open mic: micròfon obert / micrófono abierto
Ready?
Now read the questions on the following page. Read them carefully before listening to the radio programme.
[Now listen to the interview.]
QUESTIONS
Choose the best answer according to the recording. Only ONE answer is correct.
[3 points: 0.375 points for each correct answer. Wrong answers will be penalized by deducting 0.125 points. There is no penalty for unanswered questions.]
1.1 How does Anne write her poems?
[0.375 points]
1.2 How did Anne learn about poetry slam?
[0.375 points]
1.3 According to Anne, the best thing about slam is
[0.375 points]
1.4 Anne’s poems
[0.375 points]
1.5 How long does it take Anne to write a poem?
[0.375 points]
1.6 How does Anne prepare for a performance?
[0.375 points]
1.7 Why is the audience important in a slam competition?
[0.375 points]
1.8 Which of the following statements is NOT true about Anne?
[0.375 points]
Àudio oficial
Àudio oficial de la comprensió oral: Generalitat de Catalunya, Eureka, biblioteca digital (registre 333). Llicència CC BY-NC-SA 4.0. Registre a Eureka
Tria la teva opció i obre la resposta per comparar-la.
1.10,375 punts
- a) She always uses her laptop because her handwriting is messy.
- b) She prefers to write out her poems by hand.
- c) She first records them on her phone and then writes them down.
- d) She needs to write with dirty hands to find inspiration.
- a) Descartada
Diu el contrari: «I don’t type that often».
- b) Correcta
L’Anne explica: «I’ve got my notebook with me all the time» i «I always scribble things down, although I don’t type that often». Escriu a mà, al seu quadern.
- c) Descartada
No es diu a l’entrevista.
- d) Descartada
Les taques són de pàgines antigues, «stained with dirty hands and the remains of more than a few grilled cheese sandwiches»; no les esmenta com a condició per inspirar-se.
1.20,375 punts
- a) She went to a slam competition with a friend in 2018.
- b) She read an ad about a competition.
- c) She heard about it in an open mic session.
- d) She read an interview with a slammer in a magazine.
- a) Descartada
L’Anne situa la seva primera competició el 2018, però no diu que hi anés amb cap amic.
- b) Correcta
L’Anne diu: «I first saw a live slam competition in 2018. I’d never heard of this kind of event, but I saw it was advertised in a magazine». Se’n va assabentar per un anunci.
- c) Descartada
Els open mic apareixen més tard, com a consell per a altres: «Try open mic nights first».
- d) Descartada
El que va veure a la revista va ser un anunci, «advertised in a magazine», no una entrevista.
1.30,375 punts
- a) that poets know how to make you laugh and cry.
- b) the fact that it can be streamed online and played on any device.
- c) the strong link between the poet and the live audience.
- d) that poems are performed instead of written and read aloud.
- a) Descartada
Fer riure o plorar és un exemple del que dona el directe, «there’s a certain live element to that», no el que l’Anne destaca com a millor.
- b) Descartada
Diu el contrari: «I’ve got videos online and you can see me perform from any device, but it’s different when it’s live».
- c) Correcta
L’Anne respon: «I think what I liked about it was that emphasis on connection», i afegeix que qui ha escrit el poema «is in front of you, saying it». El que més valora és el vincle entre poeta i públic.
- d) Descartada
No es diu a l’entrevista; l’Anne valora la connexió amb el públic, no que el poema es reciti en lloc de llegir-se.
1.40,375 punts
- a) are based on strict mathematical patterns.
- b) search phrasing and rhyme by following patterns.
- c) usually take about five minutes to recite.
- d) intend to be messy and playful, as opposed to mathematical formulae.
- a) Descartada
Diu el contrari: «It’s not as rigid as a formula that I have to follow».
- b) Correcta
L’Anne explica que quan escriu, «searching for a particular way of phrasing something or a rhyme, there is definitely a technicality to it», i que ha adoptat «the idea of patterns and playfulness that I learnt through maths».
- c) Descartada
Diu el contrari: el límit és «a maximum of three minutes».
- d) Descartada
No les contraposa a les matemàtiques: el to juganer li ve d’elles, perquè parla de «patterns and playfulness that I learnt through maths».
1.50,375 punts
- a) A minimum of three months.
- b) Usually three minutes.
- c) Sometimes just a couple of weeks.
- d) Much longer than before.
- a) Descartada
Diu el contrari: quan escrivia per afició trigava «a couple of months, maybe», i ara des de «a couple of weeks».
- b) Descartada
Tres minuts és el límit de l’actuació: «we typically have a maximum of three minutes».
- c) Correcta
L’Anne diu que ara triga «anything from a couple of weeks to much longer». Per això, de vegades, només un parell de setmanes.
- d) Descartada
Sí que ho compara amb abans, però al revés del que diu l’opció: quan escrivia per afició trigava «a couple of months, maybe», i ara pot bastar-li «a couple of weeks».
1.60,375 punts
- a) She recites poems aloud to become familiar with their rhythm.
- b) She reads the poem lots of times to learn all rhymes.
- c) She sings poems out loud in front of the mirror.
- d) She studies poems line by line as if they were jokes.
- a) Correcta
L’Anne diu: «As part of my writing process, I’ll speak poems out loud to feel their rhythm». És a dir, recita en veu alta per familiaritzar-se amb el ritme.
- b) Descartada
No es diu a l’entrevista que llegeixi el poema moltes vegades per aprendre les rimes.
- c) Descartada
No es diu a l’entrevista que canti ni que es posi davant del mirall.
- d) Descartada
Els acudits només apareixen com a exemple de la seva bona memòria: «remembering the lyrics to songs or specific jokes that I heard».
1.70,375 punts
- a) Because they can decide which poems are performed.
- b) Because they can help slammers score higher.
- c) Because the panel asks for the audience’s opinion.
- d) Because some members of the audience may be part of the panel.
- a) Descartada
Qui tria el poema és qui actua: «read the room to choose the poem you’re going to perform».
- b) Descartada
El consell de l’Anne per puntuar més depèn de qui actua, que ha de «read the room»; no diu que el públic ajudi ningú a puntuar.
- c) Descartada
No es diu a l’entrevista que el jurat demani l’opinió del públic; el jurat surt del propi públic.
- d) Correcta
L’Anne diu: «Usually, the panel is selected randomly from the audience in the room». Part del públic forma el jurat.
1.80,375 punts
- a) She started writing when she was younger.
- b) She does not like maths anymore.
- c) She is good at memorising text.
- d) She finds inspiration in other slammers.
- a) Descartada
És veritable: parla de «my messy little-kid handwriting», és a dir, de pàgines escrites de petita.
- b) Correcta
És la frase falsa: l’Anne diu que «I’ve really embraced the idea of patterns and playfulness that I learnt through maths». Les matemàtiques li han servit per escriure, i no diu que ja no li agradin.
- c) Descartada
És veritable: «I was always good at remembering the lyrics to songs».
- d) Descartada
És veritable: recomana veure altres slammers perquè «they are a true source of inspiration».
Transcripció oficial de l’àudio
Interviewer: Welcome to our weekly programme on literature. Today we’re going to discuss a relatively recent development in literature, a poetry slam. A poetry slam is a competition arts event in which poets perform before a live audience and a panel of judges. Slams have become increasingly popular all around the world, with events welcoming a large number of attendees. My guest Anne is here with us today to tell us about her experience as a slammer. Hi, Anne! Could you tell us about yourself? Would you define yourself as a poet?
Anne: What a nice question! I had never been asked that! The truth is that I have always loved writing. I’ve got my notebook with me all the time —whether it’s by the side of my bed or on trains, I always scribble things down, although I don’t type that often. In fact, there’s a suitcase full of poems beneath my bed. I don’t remember how most of them got there. Sometimes I’ll thumb through them and see my messy little-kid handwriting. There may be over a hundred pages stained with dirty hands and the remains of more than a few grilled cheese sandwiches.
Interviewer: When did performance jump in? Why did you start taking part in poetry slam competitions?
Anne: I first saw a live slam competition in 2018. I’d never heard of this kind of event, but I saw it was advertised in a magazine. After attending a few sessions, I got completely hooked on it and decided to give it a try from stage. I think what I liked about it was that emphasis on connection. Whether it’s a performer making you laugh or making you cry, there’s a certain live element to that. You know, I’ve got videos online and you can see me perform from any device, but it’s different when it’s live. In a live context you can immediately get what the performer’s trying to say and there’s an added level of accessibility, because the person who’s written the poem is in front of you, saying it, and it gives it so much more context.
Interviewer: You have a degree in Maths, if I’m not wrong. Has that helped you with your poetry?
Anne: Yeah! For ages I told myself that the two were just separate worlds, but then I realised that when I’m writing my poems or searching for a particular way of phrasing something or a rhyme, there is definitely a technicality to it. It’s not as rigid as a formula that I have to follow, but I think I’ve really embraced the idea of patterns and playfulness that I learnt through maths. I try to bring that to my poetry.
Interviewer: Tell us about slam poems. What are they like and how do you prepare for them?
Anne: There is a time limit in poem performances –we typically have a maximum of three minutes. I used to just write my poems as a hobby in my free time, so from start to finish it would be a couple of months, maybe, waiting for inspiration to come. Now I think that I do it full time, I’m a bit more disciplined with that, so it’s anything from a couple of weeks to much longer. It’ll often start with a playful bit of language, whether that’s a rhyme or a one-liner, and then it just comes out.
Interviewer: And you need to memorise the whole poem for live performances?
Anne: Yes, but that’s something I’ve always done. I was always good at remembering the lyrics to songs or specific jokes that I heard. As part of my writing process, I’ll speak poems out loud to feel their rhythm. The first time I perform, I’ll still have it in my book in front of me just in case, but I think once I’ve learnt a poem, I enjoy the performance aspect of it and I find that easier if I can do it without worrying about what the next line’s going to be.
Interviewer: And then in the event a panel of three to five judges gives each slammer a score, is that right? What is your secret to score high?
Anne: Yes, that’s right. Usually, the panel is selected randomly from the audience in the room. A good idea to score higher is to read the room to choose the poem you’re going to perform, because it’s a live thing, you know, so it’s dependent on who’s in the room. It’s also helpful to have enough poems so that you can pick and choose among them.
Interviewer: Are there any tips you’d like to give people who perhaps want to get into spoken word poetry?
Anne: Don’t get too nervous if you decide to try. The audience at these events is usually very supportive. Sometimes it can be difficult to feel confident, but it’s really worth it. Try open mic nights first if you think that could be helpful before getting into a competition. Watch videos online of some of the best slammers worldwide to prepare yourself, like Harry Baker’s, Dani Orviz’s, or Emi Mahmoud’s –they are a true source of inspiration!
Interviewer: Wow! I’m looking forward to watching those videos myself! Thank you, Anne, for your time and for letting us know about poetry slam. We hope to see you on stage very soon!
Anne: My pleasure.
Adapted from ‘An interview with our favourite World Poetry Slam Champion: Harry Baker’, The Temple Times, 13th March 2020.
Enunciat: Generalitat de Catalunya, Consell Interuniversitari de Catalunya, Oficina d’Accés a la Universitat. PAU d’Anglès 2022, convocatòria extraordinària. La imatge és l’examen oficial tal qual i el text el reprodueix; les explicacions i les respostes model són d’EducaIA. Consultat el 7 de novembre de 2026; el document no declara data d’última actualització.
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